

Light Chasing
Nearly all magazine photography was shot in studios back then - blacked out empty shells, deep in the East End of London— often old warehouses, long before it was fashionable to live in one — where the rents were cheap and the loading bays were big enough to take a whole room set off a van. We'd meet the driver at 6 or 7 in the morning, more often than not having already been to Covent Garden flower market first. That was its own particular world — the market at five-thirty,


THE BEAUTY OF THE EVERYDAY
Somewhere between London and the Welsh border, on the way to my grandmother's house. Wild and windswept, misshapen by years of motorway weather — it had stopped arguing with the wind at some point and simply grown around it instead. We passed it at 70mph. It came up on you all of a sudden around a bend and was gone before you could properly look at it. And yet I watched for it every single time, and every time it came and went it gave me a moment of both joy and peace. I'v


THE SEASONAL HOME
When I was a child I used to stay at the house of a fashion designer — a woman of some notoriety in the seventies, whose daughters have grown up to be equally chic and influential in their own right. The house was rambling, a bit frayed at the edges, chaotic in the way that only genuinely inhabited houses are. A double-height sitting room with a gallery library at one end, so you could look down into the whole beautiful mess of it. Well-loved squishy sofas you could actually


The Healing Home
Some weeks are harder than others.And it's in those weeks where you find yourself doing small things with unusual deliberateness. Making the tea slowly. Cutting a few stems from the garden and putting them in a jar on the kitchen table. Making the bed properly, smoothing the linen, placing the pillows just so. Not because anyone is coming. Just because it helps. I’ve been thinking about why that is. A home, at its best, is not just somewhere you live. It is somewhere that h


The Layered Home
There is a difference between a decorated room and a lived-in one. Most people can feel it the moment they walk through the door. The 'decorated' room that arrives all at once can look finished, complete somehow— everything matching, nothing out of place, not a trace of the person who actually lives there. It looks right but it feels flat. The lived-in room is different. It has accrued. It might have a corner that doesn't quite go with the rest and is better for it, somethi


White. Always White.
I went to see The Devil Wears Prada sequel last night. And it took me straight back. Back to the editorial meetings, the press shows, the gifts arriving at the office, the advertisers wining and dining us. Back to the monthly gathering where you'd pitch your shoot ideas and your editor would either give you the green light or look at you as though you'd suggested something entirely beneath her. "Florals? For spring? Ground-breaking." Back to the life of a magazine stylist —


Why Simple Rooms Are the Hardest Rooms
You know the feeling when you walk into a room and something shifts. Your eye lands. Your body relaxes. You take a breath you didn't know you needed. Nothing dramatic — just a quiet, physical sense of being somewhere that isn't asking anything of you. That feeling is what Dave and I have spent thirty-five years working toward. And it never gets less interesting. Because what feels effortless is actually the product of a genuinely good eye, real patience, and knowing — deepl


On Ordinary Beauty
I've been thinking about a Seamus Heaney poem this week. Night Drive — written on a journey through France, at night. Rain on the windscreen, the smell of hay through an open window, small cafés shutting one by one. Nothing happens. Nothing is remarkable. And yet I've gone back to it since my early twenties. Because every time I read it I feel that particular deliciousness — rain on a warm August night, the smell of somewhere you're passing through, the fleeting aliveness o


On Letting Go...And Why It's Not That Simple
There's a whole corner of Instagram devoted to the idea that throwing things away will change your life. Five things a day. A timer and a bin bag. I tried it last week. I found an empty tube of toothpaste, a sock with a hole in it and some packaging I was going to bin anyway. Hardly a transformation. My mum tried the timer version — throw as much as you can in five minutes — and got herself to tears. That's not decluttering. That's just stress with a deadline. The problem wit


The Self-Seeding Home
This garden was planted on Beth Chatto's principle of right plant, right place. Build a good framework first, work with your conditions, and things establish themselves almost without effort. Over time a garden like this develops its own intelligence. It self-seeds. Plants arrive where the conditions suit them — in a crack in the path, at the foot of a wall — in ways you'd never have planned but that feel exactly right. The thing that makes the whole border feel alive rathe




















